Welcome to "gear ketchup" — our deliciously punny new series where we catch you up on all the new gear we've added to the 3z.rent family. We’re talking about fresh, shiny pieces of tech that will make your next shoot feel like a blockbuster (even if it’s just a small indie film in your backyard). Ready to dive into the newest tools we’ve got? Grab a napkin, because this gear is about to get saucy.

NANLUX EVOKE 1200 & NANLITE FC-500C

Let there be light... and not just any light, but NANLUX EVOKE 1200 and NANLITE FC-500C! We’ve added these heavyweights to our lighting arsenal, and trust us, these lights pack a punch.

The NANLUX EVOKE 1200 will make your subject look like they’re under a small star, with its insane brightness that’s perfect for large-scale setups.
On the flip side, the NANLITE FC-500C delivers that soft, flattering glow, complete with full RGB control to match any mood. So, whether you're lighting up a dance party or trying to make your actor look like they’re bathed in the glow of a thousand sunsets, these lights will get the job done — and make it look way better than your iPhone flashlight.

BLAZAR REMUS 1.5x ANAMORPHIC LENS SET

Big news for all you cinephiles out there: we’ve just got out our first PL-mount lens set — the BLAZAR Remus 1.5x anamorphic lens set!
This isn’t just any lens set; it’s a full range of full-frame primes, including 33mm, 45mm, 50mm, 65mm, 85mm, 100mm, and 125mm, plus a 35mm lens for Super35 sensors (because we’re all about that versatility). These lenses aren’t just about sharp focus; they’ve got vintage character and versatile source-colored silver flare that will make your shots look like you just time-traveled to the 1970s.

And don’t worry, we’ve got all the adapters and accessories, including the handy Mofage POCO PL adapter with interchangeable variable ND filters, to make sure they work with whatever camera you’ve got. This is a huge step toward giving you the kind of cinematic lenses you could only dream about… until now.

LILLIPUT BM280-4KS

Meet the Lilliput BM280-4KS — our first-ever production case monitor! We’re talking 28 inches of pure 4K glory, perfect for those days when you want the whole crew to see every pixel of your masterpiece... or when you’re trying to impress your client with a monitor so big, they’ll think they’re on set of a Marvel movie. This monitor is ideal for any shoot, whether you’re on a tiny indie project or have a massive production with too many moving parts (and people) to count.

SOLIDCOM C1 PRO

Let’s talk headsets: we’ve partnered with Hollyland to bring you the Solidcom C1 Pro, the premium wireless communication system that’s going to make your set feel like a well-oiled machine (or a well-coordinated heist, but with less running and more directing). The Solidcom C1 Pro is a serious upgrade over the Solidcom SE, giving you better range, clearer audio, and the kind of build that can withstand an entire season of intense shooting.

No more shouting across the set like you’re in a high school gym — this system keeps you and your crew connected, no matter how big the production gets.

DJI FOCUS PRO

If you’ve been stalking us on Instagram or TikTok (no judgment), you’ve probably seen us raving over the DJI Focus Pro system. We’re having just too much fun playing around with it to keep it to ourselves.

The DJI Focus Pro system with Focus Pro Motors and the LiDAR Range Finder lets you use autofocus with manual lenses, but the best part? Your focus puller still has full control of the lens (a little control-freaky, but we're not here to point fingers). Plus, it’s not limited to spherical lenses, so now you can get all fancy with our Blazar Remus 1.5x anamorphic lens set. You’ll be the envy of your whole crew when they see those perfectly sharp shots with a side of cinematic flare. You’re welcome.

BLACKMAGIC PYXIS

Last but definitely not least, we’ve added the Blackmagic PYXIS (L-mount) to our lineup, and we’re kind of obsessed.

This bad boy is our top-of-the-line cinema camera, and it’s packing a punch with features like superb image quality, high-resolution 6K full-frame 3:2 sensor, Blackmagic RAW recording, all in a boxy form-factor to fit any rig or scenario you want to put it in. Plus, the L-mount system allows for compatibility with a wide range of lenses, giving you more flexibility when it comes to glass. If you want to get fancy, pair it with the Blazar Remus lenses and DJI Focus Pro — this setup will have you feeling like the director of a blockbuster film, even if you’re just filming a short about your cat. All of this gear comes together to bring you the kind of professional-grade setup you need to take your production to the next level.

At 3z.rent, we’re all about bringing you the gear you need to turn your creative dreams into reality. These newest additions are here to help make your next project smoother, more efficient, and more enjoyable than ever before.

Whether you're shooting a high-budget film or a fun personal project, we've got the tools to make it happen — reliable, fully-featured, and ready for action.

Get your hands on the gear and let’s make some magic!